Exhibition

Exhibition: Laia Abril – On Abortion

Exhibition: Laia Abril – On Abortion

Today, safe and efficient means of abortion exist, yet 47,000 women die due to botched abortions, every year. Laia Abril’s project On Abortion documents and conceptualizes these dangers and damages caused by women’s lack of legal, safe and free access to abortion. As she weaves her net of questions around ethics and morality, Abril also creates a series of meditative visual and textual manifestations of the social triggers, stigmas, and taboos around abortion that have remained invisible until now.

Exhibition: Anouk Kruithof, Jules Spinatsch, Julian Röder – Chapter 3, The Control of Images

Exhibition: Anouk Kruithof, Jules Spinatsch, Julian Röder – Chapter 3, The Control of Images

For this third edition, we are dealing with the topic of control and surveillance, as well as with the critical observation of problematic social processes. In so doing, we are taking a critical look at to how great an extent we are monitored by surveillance cameras, via Internet, Google, etc. as we go about our day-to-day lives. Socially engaged photography can also make processes visible that significantly affect our social, economic and ecological actions, exposing injustices, mismanagement and secret machinations.

Exhibition: Jakob August Lorent – Calotypes 1853-1861

Exhibition: Jakob August Lorent – Calotypes 1853-1861

Dr. Jakob August Lorent (Charleston, SC, USA 1813-1884 Merano) was one of the earliest travel and architecture photographers. He was one of the first ever to travel with a camera to many Mediterranean countries. Lorent took his journeys in a time when even just getting around and finding accommodation in these countries was an adventure, making it all the more significant that he also brought highly interesting photographs home from these arduous journeys.

Exhibition: Amira Fritz

Exhibition: Amira Fritz

Observe with a Soft Voice – Philosopher Gaston Bachelard once called himself a „dreamer of words, a dreamer of written words.“ Amira Fritz, on the contrary, is a dreamer of images, floating atmospheres, harmonic landscapes, gentle flowers, faces and people who investigate the observer as if they emerged from an unreachable, enchanted otherworld. Her photographs (just like Bachelard’s words) detach themselves from the heavy burden that binds them to time and reality and instead open up to the dream, to emotions, to a poetic geography where travelling is the ability of encountering without revealing.

Transparency