Exhibition

Opening: 14.5.2019, 19:00 Exhibition: 15.5.-15.6.2019 There is no dignity in war, no modesty either. Erik Kessels exposes a particularly shitty aspect of war, one that is usually left out of the history books. Despite the horror and chaos of conflict…

Opening: 27.3.2019, 19:00 Curated by: Sabine Gamper With: Gennaro Postiglione, professor of Achitetecure at Politecnico di Milano and coordinator of “The Atlantic Wall Linear Museum” Guido Pietropoli, architect, collaborator of Carlo Scarpa from 1970 to 1978 and his assistant at IUAV Exhibition: 28.3. – 4.5.2019 Born 1941,…

Jasmine Deporta’s work reflects on her surroundings and relationships and is a personal reflection on longing, fear and most of all identity. Working mainly with analog film, she captures introspective moments within her vision of reality.

“He is the Albrecht Dürer of cities and of modern times: the German photographer Bialobrzeski portrays human habitats just as the elder artist portrayed members of the clergy, rulers or the life of the Madonna – personages from history, captured for posterity. Visual art as an intellectual discipline…

While studying photography in Denmark in 2014, Italian Giulia Mangione had to work on a final project. Most of her classmates went to far away countries. Giulia decided to stay to understand what made Denmark the happiest country in the world.

Julius G. Neubronner, born 1851 in Kronberg im Taunus as the son of a pharmacist, cultivated a curious passion for photography. I​n 1907 he patented the design of a camera which could be attached to pigeons and would automatically take pictures during their flight in order to track their journey.

“On a tiny star in a galaxy, even tinier creatures continue to carry out their own roles. All under the light of the sun; All maintaining a fragile balance, like walking over thin ice; All while searching for beauty, as if in prayer; All protected, with each of their realms continuing to endlessly overlap with one another.” – Rinko Kawauchi

Lisetta was born in 1924 in Genoa and she has much in common with that city: its level-headedness, for example, as well as a dry humour, a free spirit, and the marginal position that she continues to adopt although long since an illustrious figure on the contemporary scene. For the exhibition at foto-forum Bozen, five themes were selected that happen by chance to pertain to Carmi’s native city; and they happen also to reveal to us that this photographer left little to chance, when observing reality; rather, her work is the outcome of an exacting and conscious intent.

Today, safe and efficient means of abortion exist, yet 47,000 women die due to botched abortions, every year. Laia Abril’s project On Abortion documents and conceptualizes these dangers and damages caused by women’s lack of legal, safe and free access to abortion. As she weaves her net of questions around ethics and morality, Abril also creates a series of meditative visual and textual manifestations of the social triggers, stigmas, and taboos around abortion that have remained invisible until now.

For this third edition, we are dealing with the topic of control and surveillance, as well as with the critical observation of problematic social processes. In so doing, we are taking a critical look at to how great an extent we are monitored by surveillance cameras, via Internet, Google, etc. as we go about our day-to-day lives. Socially engaged photography can also make processes visible that significantly affect our social, economic and ecological actions, exposing injustices, mismanagement and secret machinations.

Photographer Rob Hornstra and journalist Arnold van Bruggen have been collaborating since 2009 to explore and document the turbulent region of Sochi, Russia. Over the course of five years and eleven visits, they practiced a form of “slow journalism” in order to delve deeply into the complexities of the area, and its remarkable transition in preparation to host the 2014 Olympic Winter Games.